~ A Slice of Infinity
I stood in front of the painting long enough that my neck hurt from craning upward, long enough to make the connection that onlookers that day likely held a similar stance as they watched Jesus of Nazareth on the cross. Francisco de Zurbarán’s massive 1627 painting The Crucifixion hangs in gallery 211 of the Chicago Art Institute. Viewers must stand back from the piece and gaze upward in order to take it all in. Zurbarán depicts the point just before Christ takes his last breath. His body leans forward from exhaustion; his head hangs downward. All details of any background activity are absent, the black backdrop a jarring juxtaposition beside his pale, bruised skin. The artist’s use of light intensifies the stark pull of sympathy towards a body that is both clearly suffering and yet somehow beautiful. At the time, I wasn’t sure what I believed about Christianity. But there was something about the painting I couldn’t stop trying to grasp.